Floater
2012, Enamel on Panel, 30"x40"
Cliff Edge #3
2012, Acrylic and Enamel on Panel, 30"x24"
Floater #3
2012, Acrylic and Enamel on Panel, 30"x24"
Iceberg
2012, Acrylic and Enamel on Panel, 20"x20"
Floater #6
2012, Acrylic and Enamel on Panel, 40"x30"
Edge #3
2012, Acrylic and Enamel on Panel, 40"x30"
Edge #2
2012, Acrylic and Enamel on Panel, 40"x30"
Space Cliff
2012, Acrylic and Enamel on Panel, 30"x40"
Deep Space
2012, Acrylic and Enamel on Panel, 30"x40"
Platform Pacifica
2012, Acrylic and Enamel on Panel, 60"x50"
Cliff Edge
2012, Acrylic and Enamel on Panel, 30"x24"
Glacier's Edge
Enamel on Panel / 16″ x 16″ / 2012
Untitled
Enamel on Panel / 20″ x 20″ / 2012
Floater
Enamel on Panel / 40″ x 30″ / 2012
Floater #2
Enamel on Panel / 40″ x 30″ / 2012
Space Cliff
Enamel on Panel / 24″ x 30″ / 2012
Untitled
Enamel on Panel / 30″ x 24″ / 2012
Tract Development
Enamel on Panel / 40″ x 30″ / 2011
Yellow Valley
Enamel on Panel / 30″ x 40″ / 2011
Retail in Red Rocks
Enamel on panel / 16″ x 16″ / 2011
Geyser Effect
Enamel on panel / 16″ x 16″ / 2011
Lake Powell Forming
2008, enamel on panel, 47″ x 60″
Beginning Lakes in Monument Valley
2009, enamel on panel, 23″ x 30″
Rocks at Watson Lake
2009, enamel on panel, 23″ x 30″
Smoke Stacks
2009, enamel on panel, 23″ x 30″
Freestyle Rock Balance
2009, enamel on panel, 47″ x 54″
Cape Royal at Sunset
2009, enamel on panel, 47″ x 60″
Mountain Building
2007, enamel on panel, 14″ x 14″
Blue Rock
2008, enamel on panel, 40″ x 40″
Geotime #2
2009, enamel on panel, 14″ x 14″
Sun Rays Out of Sedona
2009, enamel on panel, 60″ x 70″
Geotime #1
2009, enamel on panel, 14″ x 14″
Mountain Mining
2009, enamel on panel, 40″ x 40″
View From South Rim
2009, enamel on panel, 40″ x 40″
Mountain Building #2
2008, enamel on panel, 40″ x 40″
Continental Lithosphere
2007, enamel on panel, 47″ x 54″
New Sightings on Asthenosphere
2007, enamel on panel, 28″ x 30″
Laccolith Rising
2007, enamel on panel, 28″ x 30″
Mountain Building Exploration #2
2007, enamel on panel, 47″ x 54″
Split Top Mountain Alaska
2007, enamel on panel, 47″ x 60″
Continental Lithosphere #2
2007, enamel on panel, 14″ x 14″
Igneous Intrusion on Iron Mountain Mine
2007, enamel on panel, 47″ x 60″
Del Amo Batholith
2007, enamel on panel, 47″ x 54″
Half Dome
2007, enamel on panel, 30″ x 24″
Iceland Glacier Ghost
2007, enamel on panel, 19″ x 19″
Kayford Mountain West Virginia
2007, enamel on panel, 47″ x 54″
La Brea Tar Pit
2007, enamel on panel, 24″ x 30″
Pascua-Lama, Andes Mt
2007, enamel on panel, 18″ x 18″
Delta
2006, acrylic on panel, 32″ x 24″
Catskill
2006, acrylic on panel, 48″ x 36″
Utah Construction
2008, acrylic and watercolor on paper, 22″ x 30″
Red Moon Rising
2008, acrylic and watercolor on paper, 30″ x 22″
Red Rock Archway
2008, acrylic and watercolor on paper, 22″ x 30″
Parking at Sand Dunes
2008, acrylic and watercolor on paper, 22″ x 30″
Ox-Bow Sand Dunes
2008, acrylic and watercolor on paper, 22″ x 30″
Red Rocks
2008, acrylic and watercolor on paper, 30″ x 22″
Blue Rock
2008, acrylic and watercolor on paper, 30″ x 22″
Black Rock
2008, acrylic and watercolor on paper, 22″ x 30″
Travertine Formations on Juno
2007, mixed media, 3′w x 5′h x 10′d
Impact Crater
2007, foam, poured paint wall sticker, enamel, house paint, metal, wire, plastic 36″w x 48″h x 18″d
View Point
2007, mixed media, 14″w x 7″h x 7″d
Juno
2006, mixed media on polystyrene foam, 17″w x 16″h x 12″d
Installation view
2007, mixed media sculpture and paint pour
Installation view
2007, poured paint on concrete
Installation view
2007, mixed media sculpture and paint pour
Installation view
2007, poured paint wall sticker
Installation view
2007, poured paint on concrete
Orange Grove
2006, mixed media on polystyrene foam, 8″w x 12″h x 8″d
Fire Rock
2007, mixed media on polystyrene foam
Orange Comet
2007, mixed media on polystyrene foam
Brown Moon
2007, mixed media on polystyrene foam
Purple Crater
2007, mixed media on polystyrene foam
New Land
Jessalyn's latest work is an exploration in creating new fictional landscapes. Land masses that have been poisoned or abandoned are carved out and examined in stark isolation.
Outlands
Jessalyn uses poured paint to build land formations from the flow and manipulation of the enamel. She then transforms these pours into absurd but structured environments by building layer upon layer of paint on the panel's surface.
Southwest
Mountain Building
Land Use
Works on Paper
Sculpture / Installation